Tag Archives: medved

Medved: Distorting the True Nature of “Concentration Camps”


Most leaders of the Jewish community reacted with appropriate indignation to Alexandria Ocasio-Cortez using the terms “concentration camps” and “never again” to compare Trump’s border policies to Hitler’s holocaust.

 An LA Times Op-Ed, however, outrageously supports her with the headline: “I’m Jewish and I don’t say this lightly: ‘Never Again’ is right now in America.”

 The opinion piece by David Ulin shrugs at the fact that the two key purposes of Nazi concentration camps—providing slave labor and perpetrating mass killing—have never been witnessed at border detention facilities. 

 Nazis ripped millions from their homes against their will, but today’s asylum seekers left home by choice to find refuge in America. But failure to welcome all-comers hardly amounts to Nazism. To claim otherwise distorts the true nature of the Holocaust and undermines our ability to resist real fascist dangers should they ever arise. 

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Medved: Taxpayer Funding for Abortion is Not Pro-Choice


Joe Biden’s abandonment of his long-standing support for the Hyde Amendment has not only damaged his campaign, but should bring permanent changes to the language we use on the abortion issue.

Biden and other Catholic Democrats often insisted that they personally disapproved of abortion, but they didn’t want government to interfere with a woman’s so-called “Right to Choose.”

But if the Hyde Amendment is removed, that means the “Right to Choose” becomes a right to government funding for terminating your pregnancy. Many of those who said they wanted government to stay out of the abortion decision, now insist that government must get directly involved—by providing federal funding.

This is not a “Pro-Choice” position—it’s a “Pro-Abortion” position, demanding government subsidies. In the future, liberals who favor such funding should accept the “Pro Abortion” designation just as proudly as conservatives acknowledge that we are anti-abortion—and pro- life.

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Medved: Hollywood Thanks Satan for Shoddy Work


This is Michael Medved at MichaelMedved.com for Townhall.

Christian Bale won a recent Golden Globe award for Best Actor in a Comedy or Musical for playing Dick Cheney in “Vice,” and on claiming his prize he said, “Thank you, Satan for giving me inspiration for playing this role.” “Vice” is an inept, incoherent dud that portrays its subject as a one-dimensional, diabolical monster, ignoring a real-life record of achievement as White House Chief of Staff, five term Congressman, Defense Secretary and two-term Vice President.

The obsession with demonizing conservatives produced this misbegotten mess, smearing a patriotic public servant who retired a decade ago, and going so far as to suggest he didn’t deserve the heart transplant he received in 2011.

By classifying this pitch-dark film as a “comedy” its producers cheerfully shrug off any sense of historical or artistic responsibility and, as Bale darkly suggests, serve Satan.

I’m Michael Medved.

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Medved: “Fake History” Worse than “Fake News” on Immigration


A recent article in The American Spectator badly mischaracterized our history when the author claimed that after 1965’s immigration reform—and I quote—“the quality of America’s immigrant intake has declined … Immigrants are less educated than they were in the past…. That burdens the country, but it’s very Heaven for an American aristocracy, which can hire cheap labor.”[end quote]

Now, this screed not only ignores engineers and entrepreneurs who’ve led recent waves from India, China and elsewhere, but romanticizes our past. Millions arrived from Ireland, Poland, Italy and Greece but they weren’t well-educated or highly skilled; most were destitute laborers, like my Russian-Jewish, barrel-maker grandfather.

The problem for immigrants today isn’t their “low quality”; it’s the efforts by multi-culturalists on the left and restrictionists on the right to block their healthy progress toward assimilation and Americanization.

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Michael Medved: “Chappaquiddick”: A Powerful Reminder of Arrogance and Corruption


The new film “Chappaquiddick” depicts a searing scandal that changed the course of political history. As the only surviving brother in a storied dynasty, 37-year-old Senator Ted Kennedy looked like a sure bet for the Presidency in the Summer of 1969. But after leaving a boozy party with a 28-year-old female passenger, he drove his car off a bridge.

Inexplicably, he waited more than 9 hours before notifying local authorities who might have rescued the trapped young woman. The film highlights backstage manipulations, involving some of the nation’s most powerful figures, that rushed the victim’s burial without autopsy and treated Ted’s political survival as their all-important goal.

For those disgusted by today’s tawdry politics, “Chappaquiddick” provides a powerful reminder that corruption and arrogance have long afflicted American public life.

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Michael Medved: For Dems, Hunting Is Worse Than Abortion


A new poll by the Economist/YouGov organization shows glaring contradictions in the way Democrats define morality, with big majorities saying they accept abortion, divorce, gambling, drinking alcohol, gay sex, pre-marital sex and doctor-assisted suicide.

One form of behavior, however, drew overwhelming condemnation: 82 percent found “hunting animals for sport” to be morally wrong!

If this reflects a tender concern for all living things, isn’t it worth asking if a baby in the womb is a living thing? Even if someone don’t consider the baby to be fully human before delivery, surely that unborn child deserves as much respect as, say, a deer.

Yet Democrats find abortion more acceptable than hunting, by a margin of three to one—showing obtuse inconsistency at best, utter derangement at worst.

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Michael Medved: 2017: A Breakthrough Year for Hollywood Heroines?

Opioid

Hollywood’s so desperate to get past harassment scandals that industry insiders have proclaimed 2017 “the year of the strong woman.” Box office returns show that the three top moneymakers in America all featured female protagonists: “Star Wars: The Last Jedi,” “Beauty and the Beast” and “Wonder Woman.” “Women truly emerged as the giants of cinema this year,” said box office analyst Paul Dergarabedian.

 

Of course, it’s also noteworthy that this trio of top films, as skillful and enjoyable as they were, all counted as sequels or remakes of properties dating back more than 40 years—hardly triumphs of daring originality!

 

Somehow, these rehashed projects got new life by casting glamorous new actresses: Daisy Ridley of “Star Wars” is 25, Emma Watson of Beauty and the Beast is 27, and Wonder Woman Gal Gadot is 32. It’s hardly a shock to see moviegoers happily investing their money to gaze up at youthful screen goddesses with striking good looks.

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